Pleasingly, the film seems to offer a gratifying bridge between the anime’s first season and the second season that’s due this month in Japan. While the eighty-two-minute film might not be based on any of DanMachi’s light novels, it’s written by Ōmori, and incorporates the same combination of action, humor, and love for lore as the anime’s inaugural season as well as the Sword Oratoria spin-off. Wisely, the theatrical release of Is It Wrong to Try to Pick Up Girls in a Dungeon?: Arrow of the Orion provides viewers with a peek beyond the city limits, exploring the world at large. Much of the property’s enjoyment stems from discovering creative elements of the city of Orario and its citizens.

Here, attributes are illustrated on each character’s back, along with special abilities. Arguably, it’s DanMachi’s stat tracking that truly feels ingenious. Battling monsters is a ceaseless toil, but one that drops magical gems that function as currency and items that can be used for crafting. Driven by an indefatigable spirit for self-improvement, he grinds his was through the town’s underground chambers. Bell starts as a lowly novice, nearly killed by a minotaur in the town’s dungeon. Satisfyingly, DanMachi also deconstructs many of the tenets of role-playing games. Struggling for survival and the respect of other, more affluent Familias, the pair faces persistent opposition. Specially, this is viewed through the ordeals faced by the Goddess Hestia and the inaugural member of her Familia, a 14-year-old adventurer named Bell Cranel. The storyline sees gods descending from heaven and relinquishing their powers, to appreciate the hardships faced by humanity. Fujino Ōmori’s light novel, as well as the property’s adaptations in manga and anime form, blend Greek mythology with a surprisingly insightful exploration of the human condition.

Is It Wrong to Try to Pick Up Girls in a Dungeon? (affectionately known as DanMachi in Japan) success stems from several remarkable traits.

Danmachi orion